Bane Kerac, author of comics Lieutenant Tara and Cat Claw "SBPeriskop
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Branislav Kerac was born in Novi Sad, September 7, 1952. Novi Sad sculptor Dejan Bešlin, family friend, in his earliest drawings seen any hint of talent and a little Bane gave the first instruction. Somewhere bon around the fourth grade, he joined his Toza Obradovic, and together they precrtavali images from "graphic novels" and competed who would better draw Reja Karson, bon Kansas bon Kid or swarm Renko. Tozu the fun did not last long held, but Bane persistently practiced, trying to reach her first role models (Foster, Dena Beriah Maseroa, Jesus Blasco, Sergio Tarquini ... draftsman whose works published "-Kekec", "Politika entertainment magazine" and "graphic novel ")." Blue News "edition of" Comic-Strip "and Lykosov" Strip entertainment magazine "were met with Bane Yugoslav comic greats such as Becher, Radilović, bon Maurovic, Navojev and Soloviev, and the emergence of a magazine" Zenith "and Prime Minister Romitinog Derdevila have a fundamental influence on him. It's about time (67-68) when Bane started drawing "seriously" in ink on the flip chart with all the frames, balloons, sound effects and the "right" scenario.
That law "seriously" started in 1975, when Bane accidentally met in the Tozom (chances are they were ten years apart) and when after a long conversation on the pedestrian crossing decided to make a comic "Lieutenant bon Tara" and offered him a publishing house "Diary".
"What bon more serious," began in 1989 when the world famous producer Ervin Rustemagić assumed distribution bon Banetovih autorsih comics. Under the auspices of Ervin company "STRIP ART FEATURES" CAT CLAW is hastily finished Scandinavian countries and appeared in a dozen countries around the world. Unpleasant events of 1991 prevented the successful conquest of the Americas (LA publishing house MALIBU issued only 9 numbers) but even then Kerac acquired the status of a successful author of comics. In recognition of that status, Bane's offer came from Andreas Knigea, the company owner CARLSEN VERLAG bon to do a short strip of color album DURCH BRUCH issued the demolition of the Berlin Wall and simultaneously published in 14 languages. If you mention that the other participants of the project were Bill Gibbons, Enki Bilal, Moebius ... it can be said that Bane was in good company. Since the Kata for three years running proclaimed the most popular figure of the Swedish magazine bon MAGNUM, it can be said that there still. *
What are you in the youthful days were role models in the world and in Yugoslavia, and what you think about the work of Croatian bon comic-author of the older generation Maurović, Furtingera, Jules and others.? Basically, -Kekec and graphic novel were crucial to like comics. Later I met Blue News and StripStrip, and after that Zenith and Panorama (the latter Stripoteka). So, all the authors in these publications are more or less influenced me.
How do you see the subsequent affirmation Ivica Bednjanec since it proclaimed bon before Sund? All those who were at that time engaged in comics were considered producers of pulp fiction. But those who were shouting against comics bon were characters worthy of attention. As for me, Bednjanec has been an acknowledged master.
Do you cooperate with cartoonists and writers of Croatian? With that in particular, and how would you describe the relationship? Lately cooperate with Macan on a pair of recreational projects, ie. Both him and me there is good that we are dealing with something loose. To both of us are not comfortable, we would not have worked.
What do you think about the work of Croatian comic-author of the new generation and especially our Slavonac Mataković)? Poor'm bon familiar with contemporary productions. Something over the forum, just over a fanzine. Matakovićev work I followed before bon ex-Yugoslav wars. In any case, his approach to comics is very different than mine so I'm not competent to comment on it. That's what he's doing, obviously works well and he must be in his mastery of the genre.
How do you
Home Society and Politics in Slavonski bon Brod Croatia World Culture and Entertainment Literature Music Art Film Lifestyle Columns cumez Uzelac Schwendemann Veljko Lukic Occupy SB Darius Mataic Agičić Peter Tot-Gjergj Sanja Pejic Rosko Clock SB John Fishwick Brodman bon Joseph Stanic Silvio Jakovljevic bon George Crnkovic Josephine Birindžić Mario Brajkovic SB countercurrent Kristina Prusina Interview Business Sports Football Baseball Basketball Athletics Other Sports
Political parties History Art Church Culture Media Ecology Journalists Politicians bon Nationalism Life Poetry Sports Art Ex Yugoslavia Liverpool Europe bon Economy Education Journalism Film Freedom Psychology Country Privacy citizens of Slavonski Brod Community Crisis Music Entertainment Solidarity International Relations Health Information bon Literature Interview Internet Science Croatia World Government Business Minorities Fascism Capitalism
Branislav Kerac was born in Novi Sad, September 7, 1952. Novi Sad sculptor Dejan Bešlin, family friend, in his earliest drawings seen any hint of talent and a little Bane gave the first instruction. Somewhere bon around the fourth grade, he joined his Toza Obradovic, and together they precrtavali images from "graphic novels" and competed who would better draw Reja Karson, bon Kansas bon Kid or swarm Renko. Tozu the fun did not last long held, but Bane persistently practiced, trying to reach her first role models (Foster, Dena Beriah Maseroa, Jesus Blasco, Sergio Tarquini ... draftsman whose works published "-Kekec", "Politika entertainment magazine" and "graphic novel ")." Blue News "edition of" Comic-Strip "and Lykosov" Strip entertainment magazine "were met with Bane Yugoslav comic greats such as Becher, Radilović, bon Maurovic, Navojev and Soloviev, and the emergence of a magazine" Zenith "and Prime Minister Romitinog Derdevila have a fundamental influence on him. It's about time (67-68) when Bane started drawing "seriously" in ink on the flip chart with all the frames, balloons, sound effects and the "right" scenario.
That law "seriously" started in 1975, when Bane accidentally met in the Tozom (chances are they were ten years apart) and when after a long conversation on the pedestrian crossing decided to make a comic "Lieutenant bon Tara" and offered him a publishing house "Diary".
"What bon more serious," began in 1989 when the world famous producer Ervin Rustemagić assumed distribution bon Banetovih autorsih comics. Under the auspices of Ervin company "STRIP ART FEATURES" CAT CLAW is hastily finished Scandinavian countries and appeared in a dozen countries around the world. Unpleasant events of 1991 prevented the successful conquest of the Americas (LA publishing house MALIBU issued only 9 numbers) but even then Kerac acquired the status of a successful author of comics. In recognition of that status, Bane's offer came from Andreas Knigea, the company owner CARLSEN VERLAG bon to do a short strip of color album DURCH BRUCH issued the demolition of the Berlin Wall and simultaneously published in 14 languages. If you mention that the other participants of the project were Bill Gibbons, Enki Bilal, Moebius ... it can be said that Bane was in good company. Since the Kata for three years running proclaimed the most popular figure of the Swedish magazine bon MAGNUM, it can be said that there still. *
What are you in the youthful days were role models in the world and in Yugoslavia, and what you think about the work of Croatian bon comic-author of the older generation Maurović, Furtingera, Jules and others.? Basically, -Kekec and graphic novel were crucial to like comics. Later I met Blue News and StripStrip, and after that Zenith and Panorama (the latter Stripoteka). So, all the authors in these publications are more or less influenced me.
How do you see the subsequent affirmation Ivica Bednjanec since it proclaimed bon before Sund? All those who were at that time engaged in comics were considered producers of pulp fiction. But those who were shouting against comics bon were characters worthy of attention. As for me, Bednjanec has been an acknowledged master.
Do you cooperate with cartoonists and writers of Croatian? With that in particular, and how would you describe the relationship? Lately cooperate with Macan on a pair of recreational projects, ie. Both him and me there is good that we are dealing with something loose. To both of us are not comfortable, we would not have worked.
What do you think about the work of Croatian comic-author of the new generation and especially our Slavonac Mataković)? Poor'm bon familiar with contemporary productions. Something over the forum, just over a fanzine. Matakovićev work I followed before bon ex-Yugoslav wars. In any case, his approach to comics is very different than mine so I'm not competent to comment on it. That's what he's doing, obviously works well and he must be in his mastery of the genre.
How do you
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